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One of the most significant painters of the modern era, French artist Claude Monet was an originator of the Impressionist style who worked at the forefront of this radical group artists.

‘For me, a landscape does not exist in its own right, since its appearance changes at every moment; but its surroundings bring it to life – the air and the light, which vary continually.’

CLAUDE MONET

From the mid-1860s, Monet had begun to explore the effects of light, painting impressions of what passes briefly before the eye. This new style of painting, influenced greatly by the development of photography and the ever-modernising cityscape of Paris, would alter the course of Western art history forever. From the late 1870s onwards, Monet created his celebrated ‘series’ of paintings, examining the same scene under different lighting and weather conditions, often recording them spontaneously in vivid colour.

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‘‘Other painters paint a bridge, a house, a boat … I want to paint the air that surrounds the bridge, the house, the boat – the beauty of the light in which they exist.’

CLAUDE MONET

L’Eglise de Vétheuil, 1878

Claude Monet

Belonging to Claude Monet’s thematic body of work portraying the village of Vétheuil, L’Eglise de Vétheuil [Church at Vétheuil] from 1878 depicts a scene of rural tranquillity differing greatly from his bustling views of Paris and tourist-filled Argenteuil of the earlier 1870s. The painting depicts a cobbled, gently sloping pathway leading up to the thirteenth-century Romanesque church which overlooks the area. It is one of two depictions of the church at Vétheuil that Monet produced in 1878; the other, executed after the present version, belongs to the National Galleries of Scotland.

Un Bras de la Seine près de Vétheuil, 1878

Claude Monet

After scouring the most remote parts of the countryside north of Paris, Claude Monet moved to the sleepy, picturesque village of Vétheuil in August 1878. Un bras de la Seine près de Vétheuil is one of six canvases painted soon after the artist’s arrival, depicting the peaceful waterways between the banks of the river Seine. One of the artist’s most prolific periods, Monet would go on to paint over three hundred artworks in Vétheuil, approximately one canvas every four days during the three years he lived there.

‘For me, a landscape does not exist in its own right, since its appearance changes at every moment; but its surroundings bring it to life – the air and the light, which vary continually.’

CLAUDE MONET

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